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But Verdi was not a genius

February 25, 2010

But Verdi was not a genius The music is over

For all my tirade against Joseph, I am often replicate Music lovers from friends that "you can not judge a composer with political criteria." [In fact, you should use musical criteria, admitted to have!]
The claim is due all'incancrenirsi and the conditioned reflex and the myth of the wicked lie of epic and colossal blunder, from ' nineteenth century to today.

is known: a lie repeated many times and riveted finally becomes truth.

And the trumpets and drummers have repeated the old story, breaking it with the ears' thoughts and misguided and the battles of Legnano and doncha, that Italy seems to Music not be started and that summed up by Verdi.
then clearly it must be said: Greens is not what we pretend .

not a genius, not the father of Italian music. Even, let alone the heir of the superb and sumptuous eighteenth-century Italy Music.

music and this tradition is in fact the Greens sinker. [We found a novel Arrigo Boito !!!!!!!!!]

Piero Buscaroli summarized this truth thus: "the monomania [Monomania? or monotonous?] of opera Verdi had fallen Italian art, devastating and drying, until breaking roots, what had been its tradition for centuries and its wealth courtly voice polyphony and instrumental "(in Wagner 's Italy. memoirs, documents, images, Press Club editor).

I would add that this tradition was revived and raised from Giacomo Puccini, but bistrattatissimo genius, passed off with fraud successor to Verdi.

Just read the documents available to all, and finally how to listen to his music, to realize that the so-called Swan Bussetto Puccini did not care.
Felix Mendelssohn, Hector Berlioz, and even more in their respective trips to Italy in 1830 and 1831, had to draw the electrocardiogram of the state of musical dish. [But what a pity! Was flat in 1830/31 and to think that Green began to write his first book almost ten years later in 1839 !!!!!!!!! I think maybe he had awoken to the electroencephalogram, electrocardiogram dish was because with certain death but with Verdi's Resurrection!]

record the end of an era, already consumed by approximately fifty . [1830 - 50 = 1780 then even Cherubini and Rossini to throw! Beethoven And what a fool to admire him!]
At one point, struck a pact between the ineffable and Muse Clio: Italy no longer had to be the birthplace of European music, which had been, the witness and move elsewhere, Germany and Austria over all other nations. Destini and mysteries, not the other one can speak: you just have to accept that.
But the country that we know today-by s'andava finally how and why and how they come out, and continued, however, had even need a minstrel.

propaganda through art is not an invention of the twentieth century.

The myth of secular and

antispirituale s'andava expanding, and perhaps without precedent since the nerve supply to the innermost basal ganglia and social closets.

So Verdi.

And then Italy drank worst of all, believing that the production was less political Busseto to save.

If then there is still some doubt about the relationship between music and politics in the Greens and the machine that produced and produces Pavlovian reflexes, we read the works of Giuseppe Rausa, meritorious and courageous history of music, where the matter is settled well.
then I wonder how it is possible even "think" green, knowing that in the Europe of that time stood giants like Beethoven (deceased in 1827!) Wagner, Brahms, Bruckner, Richard Strauss.

And knowing that Italy "pre-Verdian" had hosted the sharp tips of Domenico and Alessandro Scarlatti, Cimarosa and Pergolesi and Vivaldi and Monteverdi, and many others, and that settled the Greens, will rise to the Great Lucchese . [att.ne not GREAT TURQUOISE, what you eat for breakfast the entire previous history!]

But perhaps we deserve the music fracassone and empty of ideas and concepts, those books rhetorical, no less than arrogant and unpoetic , unhappy as we are forging history in the narrow rhetoric of convenience and aesthetics. Blessed is the people rather than having others do not have to be looking for heroes, or even less manufacturing, and seraphic accepts his fate. This story
, Italian and European, to be understood until the end, in order to build a history of music is not ideological or historicist, but away up to the observation point to admire a view of all the most glittering and true.

We will try to do it in the next sections.
Luca Bistolfi

[Lord to which they are all our congratulations, I hope that at least he tried to feel some of the works of Verdi! It seems incredible that in 2010 there are still some who can express certain ideas as socks. Probably will never have heard it or woman without a shadow Fidelio but a hundred times Turandot. Which is not bad per se, but I did not know that could damage the brain, I realize just now reading this article.]

taken from http://www. lineaquotidiano.net/node/10442